<!--quoteo(post=284922:date=Nov 21 2008, 06:15 PM:name=Hellbilly1965)<div class=\'quotetop\'>QUOTE(Hellbilly1965 @ Nov 21 2008, 06:15 PM) <a href=\"index.php?act=findpost&pid=284922\"><{POST_SNAPBACK}></a></div><div class=\'quotemain\'><!--quotecKim Henkel has been trying to put together another TCM film. but i havent heard anythingin a couple months.<!--QuoteEnd</div><!--QuoteEEndYeah, the last update was it will have nothing to do with the New Line series, and from what I remember take place in the present.
<!--quoteo(post=284936:date=Nov 21 2008, 09:01 PM:name=Buffalo Kyle)<div class=\'quotetop\'>QUOTE(Buffalo Kyle @ Nov 21 2008, 09:01 PM) <a href=\"index.php?act=findpost&pid=284936\"><{POST_SNAPBACK}></a></div><div class=\'quotemain\'><!--quotecDon't see why not, he's fat enough now, Lol.<!--QuoteEnd</div><!--QuoteEEndHe is? I havent seen him in a while.
haha i didn't know that he was fat now thats funny...that will be kinda weird to come out with another remake? in my opinion kinda weird but would i still go see it...hmm YES haha hell yeah sounds good to me
<!--QuoteBegin-FANGORIA+<div class=\'quotetop\'>QUOTE(FANGORIA)</div><div class=\'quotemain\'><!--QuoteEBeginKim Henkel revs up another CHAINSAW Fango caught up with filmmaker Kim Henkel, who most recently served as a producer on the docudrama-style chiller THE WILD MAN OF THE NAVIDAD, made in his native Texas by up-and-coming filmmakers Duane Graves and Justin Meeks. He’s best-known as the co-scripter of the original TEXAS CHAINSAW MASSACRE, and gave us the scoop that he has a new Leatherface offering in the planning stages—though Michael Bay (whose company was responsible for both the remake and TEXAS CHAINSAW MASSACRE: THE BEGINNING) will not be involved. “I have just completed a script for a new one, and it will not be made by Platinum Dunes,” Henkel tells Fango. “I’ve just done the first draft, and I’m still unsure of which way I’m going to go with it. However, it’s the first time since the original that I’ve done something that I wanted to do with it. I’m excited about being able to truly realize what I’ve put down on paper.” While Henkel, who also wrote and directed 1997’s TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION, is tight-lipped about plot details, he does offer, “Let me say that it moves the whole situation forward. It places everything in the present, and is very much a product of these times. It leaves behind the setting of ‘30 years ago.’ ” —Calum Waddell<!--QuoteEnd</div><!--QuoteEEnd